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Morissa R. Freiberg Group

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Asher Gomez
Asher Gomez

Game Of Thrones Season 1 Episode 2 64



"The Spoils of War" is the fourth episode of the seventh season of HBO's fantasy television series Game of Thrones, and the 64th overall. It was written by series co-creators David Benioff and D. B. Weiss, and directed by Matt Shakman.




game of thrones season 1 episode 2 64



Shakman's first step in directing the battle was choosing to focus on a specific perspective, with Shakman choosing Jaime as the main point of view, noting "To see it from a traditional fighter like Jaime to see what happens when you introduce something like napalm or the atom bomb into battle and all the sudden traditional fighting goes out the window."[12] Shakman also noted that Tyrion was another important perspective for the battle, as he watches from afar, saying "We talked through every beat of what he was seeing, and then he imagined that in his mind and brought it to life. He's the human intermediary there to see the battle through." Shakman filmed Peter Dinklage as Tyrion about a mile from the battlefield, and most of his shots involved "staring at lots of different tennis balls" for eye line.[14] Shakman drew inspiration for the direction of the sequence from Miguel Sapochnik, who directed the sixth season episode "Battle of the Bastards", and Neil Marshall, who directed the second season episode "Blackwater", as well as the battles in Apocalypse Now, Saving Private Ryan and Stagecoach.[12] Shakman also revealed that he used the volcanic destruction of Pompeii as a reference, which led to the idea of some of the army being turned to ash.[11]


Robert McLachlan who served as cinematographer for the episode, and previously was cinematographer for episodes including "The Rains of Castamere" and "The Dance of Dragons" in the show's third and fifth seasons respectively, was also interviewed about the process of creating the "Loot Train Attack." In an interview conducted by The Verge, McLachlan revealed that the production team received the script for the episode more than a year in advance. Several cameras were used to capture the "Loot Train Attack," including a small handheld camera known as an Osmo, which "allowed a horseman to get shots while riding a horse at a full gallop through the cavalry charge," as well as a "custom-built miniature helicopter drone" for the "overhead dragon shots." A cable-cam was also used, which made several passes over the battlefield during the course of filming. Going into filming, one of McLachlan's most desired effects was the amount of smoke on the battlefield, saying "we wanted to block the sun out so the shots would have some consistency. And I knew the fire and smoke would be incredibly beautiful." White smoke was used towards the beginning of filming, but as the battle went on, McLachlan decided to switch to black smoke, which was accomplished through burning diesel oil. This caused the crew to be required to wear masks and goggles, and raised concern for HBO's safety officer, who eventually prohibited further use of the black smoke due to health and safety concerns. Additional smoke was added later by the special effects team.[15]


The first season of the fantasy drama television series Game of Thrones premiered on HBO on April 17, 2011, in the U.S. and concluded on June 19, 2011. It consists of ten episodes, each of approximately 55 minutes. The series is based on A Game of Thrones, the first novel in the A Song of Ice and Fire series by George R. R. Martin, adapted for television by David Benioff and D. B. Weiss.


Benioff and Weiss served as main writers and showrunners for the first season. They contributed eight out of ten episodes, including one co-written with Jane Espenson. The two remaining episodes were written by Bryan Cogman and A Song of Ice and Fire author George R. R. Martin.[13]


Tom McCarthy directed the original pilot, but much of this was later re-shot by Tim Van Patten as the pilot was reworked into the first episode of the complete season.[42] Van Patten also directed the second episode. McCarthy is still credited as a consulting producer for the series' first episode. Brian Kirk and Daniel Minahan directed three episodes each, and Alan Taylor directed the final two.[13]


Before Game of Thrones both Benioff and Weiss worked in film, and were unfamiliar with working on a television show. This resulted in several first-season episodes being about 10 minutes too short for HBO, forcing them to write another 100 pages of scripts in two weeks. Due to lack of budget the new scenes were designed to be inexpensive to film, such as two actors conversing in one room. Benioff and Weiss noted that some of their favorite scenes from the first season were the results of the dilemma, including one between Robert and Cersei Baratheon discussing their marriage.[43]


The pilot episode was initially filmed on location in Northern Ireland, Scotland, and Morocco by Tom McCarthy between October 24 and November 19, 2009.[42] However, the pilot was deemed unsatisfactory and much of it had to be reshot together with the other episodes of the season in Northern Ireland and Malta.[42]


The first episode attracted 2.2 million viewers its initial airing on April 17 in the U.S.,[90] and totaled 5.4 million viewers across multiple Sunday and Monday night airings.[91] It averaged 743,000 and reached a peak 823,000 in UK and Ireland on its April 18 premiere.[92][93] HBO announced that they would be commissioning a second season on the strength of the reception of the premiere episode.[94] By the final episode of the season, which aired June 20, the ratings had climbed to over 3 million.[95]


Season 2, Episode 1: Dungeon and D.A.D.D.I.E.S.: The intro is the epilogue from season 1, and the episode title is s reference to the podcast itself, as well as the in-universe organization 'D.A.D.D.I.E.S'.


Season 2, Episode 7: The Gofast Club: The episode's title is a joint reference to 1985 film The Breakfast Club as well as the video game character Sonic the Hedgehog's obsession with going fast.


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